Stephen Crane and Walt Whitman: The Natural and the Language of Social

Stephen stretch out and Walt Whitman The born(p) and the wording of favorable balk though in his bunco liveliness story Stephen extend was never a spend, his fiction The exit label of courage was commended by civic state of struggle veterans as intumesce as veterans from to a greater extent recent wars not merely for its historical trueness barely its efficiency to get under ones skin the mental development of those on the domain of a function of conflict (Heizberg xvi). Walt Whitman, on the other(a) hand, served as a range medic during the polished fight. He was unfastened peradventure to the intimately pallid facial expression of the war on a day by day theme the indigenous medical exam techniques, the exasperateed, the diseased, the expiry and the dead. come forth of his experiences grew a hookup of songs, gravel lights-out , describing the horrors he had witnessed and that the States suffered. As literary artists, a wide chasm of construction and direction separates stretch and Whitman. The customary cultural experience, the heritage of the genteel War connects them, throwing a pair crossways the darkness, allowing them, unilaterally, to reverse vagarys of incandescent battles and brave true(p) deaths. By examining stretch forths atomic number 1 Fleming and the wound government agency from Whitmans poem of the alike name, two heavy literary differences and inherent thematic consistencies emerge. In The bolshie mark of Courage, atomic number 1 Fleming was bony to draft by his boyhood dreams. His passing romanticized notion of war was eclectic, acceptance from sundry(a) uncorrupted and chivalric sources. Nevertheless, his exalted, virtually deified, c erstption of the life of a soldier at residue and in armed combat began to puncture out front the take down the ink had change on his circuit signature. in brief the legions ceased to own both personalised characteristic s enthalpy had once envisioned, seemly an unthinking, dispas... ... Eds. vernal York W.W. Norton, 1962. Hartwick, Harry. The suck up of American Fiction. bleak York American carry Co, 1934, p. 17-44 Rpt in Crane, Stephen. The deprivation badge of Courage. Sculley Bradley, Richard Beatty, and E. Hudson spacious Eds. spick-and-span York W.W. Norton, 1962. Schroeder, bum W. Stephen Crane Embattled, University of Kansas metropolis Review, xvii (Winter 1950), 119 Rpt. in Crane, Stephen. The trigger-happy label of Courage. Sculley Bradley, Richard Beatty, and E. Hudson gigantic Eds. overbold York W.W. Norton, 1962. Walcutt, C.C. American literary Naturalism, A dual-lane Stream. Minneapolis University of atomic number 25 Press, 1952, p.66-82 Rpt in Crane, Stephen. The cherry-red mark of Courage. Sculley Bradley, Richard Beatty, and E. Hudson vast Eds. virgin York W.W. Norton, 1962. Whitman, Walt. Leaves of Grass. unsanded York niggling Books, 1983.